Some Artistic and Technical Considerations on the ‘Portrait of Philip the Good' in the Royal Palace of Madrid after its Restoration

auteur: García-Frías Checa C.

description: dans Lorne Campbell, Jan van der Stock, Catherine Reynolds and Lieve Watteeuw (eds.), Underdrawing and Technology in Painting. Symposium XVII. Rogier van der Weyden in Context, Paris/Louvain/Walpole, 2012, pp. 168-177

Référence : 24363